lessons

A few weeks ago I signed up, very spur of the moment (the night before!), for an online class - "Making Your Mark" through Pikaland's Artist Bootcamp. I'm certainly not the student I used to be, but I think I'm learning some valuable lessons from being a not so great student. Mainly, I'm learning to be ok with being not-so-great. (Or at least I'm trying!) The accomplishments and praise that go along with being a good student, the reassuring little ego strokes, are things I think my ego needs to live with out for a bit. It's good to carry on without the reassurance of success and to wrestle with a bad attitude until it can be improved.

My pieces above were from our second assignment, inspired by a list of what we know and love. I dissected my usual mixed media approach and worked with each on its own. It felt weird but was a really good exercise for me, it showed me how I often use one medium to compensate for another. Instead of working through difficulties with drawing, I'll use collage to avoid the challenge entirely. Not so much learning or growth gets done on the path of least resistance. In the process of circumventing weakness I end up bypassing unknown or unrealized strengths and abilities as well.

listed

I finally got to listing the prints from my make-ation! I took them, as well as some new patches to Myrtle Edwards Park for a photoshoot - it was a humid 80 degree September day, I wasn't feeling too well, I was sweating like crazy and I really thought I was going to die of dehydration while I was there. It's ridiculous, I know, but that's the story! If there had been less trash floating in the sound I would've gone in for a dip clothes and all, but I settled for wading.

Last week I whipped up a second set of mountain patches again inspired by one of my watercolor paintings. These mountains are a little larger and made entirely from repurposed fabrics! (Old clothes, bedsheets, etc.) I really like them and I think the t-shirt fabric will wear well over time. See the listing here.

I also photographed a print that I have been working on for quite some time, I believe I asked for help with it in this post more than a year ago! Originally a collage from my first art journal, I think this print has more incarnations in it than I have yet to discover. I have two linos carved for this image: a positive and a negative. The positive is seen in the post I listed above and prints the outlines that made the illustration; the negative, which is this one here, prints all the space within those outlines. I was hemming and hawing over adding more colors/layers/textures/what-have-you and after feeling overwhelmed by it forever decided to stick with something simple, at least for now. The yellow ink on brown paper was a little difficult to photograph as shadows make it appear greenish, but it looks great in person. Listed here.

This next print is one of my favorites. It was inspired by a wildly visionary dream I had one night, a dream so vivid I'm still not over it. In the dream a mountain rose up from the ground against the night sky, the tallest mountain ever, so tall its tip reached the edge of Earth's atmosphere and reflected itself back, curving around the inside of the sphere like glass in a marble. This print is available in two sizes: 5"x7" on cover stock parchment or 4"x6" on text weigh parchment. Listed here.

Mission accomplished! I also gave my shop a make-over as I worked on all these listings. Before, I had the most direct or straight on shot of my item as the first photo shoppers see in an effort to stand out amongst other listings in search results, but I found the look overwhelming and too in-your-face. I changed things up so the initial photos are a little more understated, approachable or atmospheric. I think it's a great improvement!

According to Etsy my shop's birthday is approaching, tomorrow! But I don't count September 30, 2009 as the opening day for my shop, I listed a handful of items that day and didn't pay any attention to them or my shop again for the next six months, I suppose you could call it an experimental opening. Sometime in late March 2010 I got super motivated to revisit my shop and give it an honest effort, it's been a slow process since then but growth has most certainly occurred! As you can see above I've had 43 sales, I would love to make it to 50 before the end of the year. That's only 7 more sales, not a big goal I know, but a goal none-the-less. I would also love to be introduced to some new customers, so if you feel like telling a few friends about my stuff please do! It would be much appreciated!!What's up next? Well, I've still got those crystal portraits hanging around and I would love to make a print out of my oyster shell Zen experience, but I'm feeling like having a little collage/art time in and out of my sketchbook. Things could get interesting!

peak pals!

watercolors + pencil + glitter glue

Here are my completed submissions for the Pin Pals Art Show. I'm quite pleased with them. Check out the rest of the submissions in the gallery here.

mtns on my mind

This is the view from my apartment window:

I see them everyday, I have for the past two years and they're still a marvel to me. I spend time with them. They change, they hide, they have moods, but they're always there - and always a marvel. No wonder they've been on my mind and in my journal.

christmas drive back home:

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the new year

I was at Mt. Hood for New Years and got to try some new things with the Polaroid. On our last night we visited Timberline Lodge and oh! how I fell in love! I think maybe I want to live there. The lodge itself was incredible, being built completely by hand in 1936 by the WPA. It was full of hand crafted textiles, ironwork, woodwork and more! Plus, outside you can play in the snow however you like and the view of the mountain, even in the dark, is mind blowing! Such a good vibe there!! Here's what I saw during my tromp about:

 

 

We arrived right at the beginning of dusk and I'm surprised I got as many as I did, I think all the snow helped by reflecting what little light there was. I'm guessing the green aurora in each is from the cold. I tried a double exposure for the first time and it totally worked! (third down) Very excited to do more of those. I also tried shooting people inside for the first time - and although we had to turn the lights up bright and they still came out dark, it was quite a lot of fun. I hadn't shot people or a group before, I liked the challenge of watching and waiting for just the right moment.

 

 

Not. Too. Shabby.

 

 

First there is a mountain...

I did my first real image based print as a Christmas project, and oh did I learn things! (Pardon my digital camera, it hasn't felt like taking pictures lately. Its just not into that sort of thing anymore.) So, I started with a drawing and used that to carve a lino block:

I only used the one carved block, but did two color runs - the first black, then navy blue over the top. The black ink was your typical rubber based ink used with lead type and what not, the navy blue was a water based acrylic. Two very different inks. Interrestiinng, she says. I inked up the press as usual for the black run, but because of my acrylic paint/roller fiasco this summer I decided to skip the rollers on the blue run and just brayer the ink directly onto the block. Good idea I think. Here's the first run with black only:

 

Ink coverage for both runs was not so great. Not because of either ink, but just the press itself. I'm beginning to believe solid even coverage on large areas of color is impossible with the Kelsey, I've heard the stories. I suspect it has something to do with how the arm delivers pressure to the platen -- unevenly?? No amount of impression screwing was getting me anywhere. I tried brayering on a ton of ink which worked for a few pulls, but eventually there was just too much ink on my block. Prints were coming out goopy and sloppy so I had to clean the block off and start fresh. In fact there was so much ink on the block that the print would stick to it as I let the arm down. This actually came out in my favor as I was able to burnish the back of the print, improving coverage slightly.

For this type of print I think I prefer the lighter acrylic ink. It sure came out pretty on my tympan! Also I don't think I'll use the rubber based and water based in combo again. Can't really say why, just a hunch I suppose. I want to move towards printing more images like this and to do so successfully I think I'm going to need a different press... here we go! I'm thinking a larger flatbed for more even coverage and bigger prints! We'll see....